The broadcast discusses St. Gregory of Narek's "Book of Lamentations" copied by the hand of Sayat Nova, and this book's influence on the great ashough's poetry.

The broadcast discusses the issues of conformity and identification of musical and poetical images.

The second part of the broadcast quotes Charles Baudelaire's letter of admiration, the article of the poet, as well as the letters of Wagner and Nietzsche, and an episode from Baudelaire's "Flowers of Evil", which also add some strokes to the creative portrait of Wagner.

The first part of this issue explains the innovations of the composer in opera art and the thorny path leading to the heights of Bayreuth Theater.

The 2nd part of the broadcast features Cyprian Norwid's poem "Chopin's Piano," where the author describes Chopin's perfect art as a challenge against raging forces of evil.

The 1st part of the broadcast highlights the impact of the ups and downs of Chopin's life and fate on his nostalgic music and the latter's reflection in poetry.

In this part of the broadcast, Schweitzer is presented as a physician and a peace advocate who regards development of culture as a powerful means for war prevention.

The broadcast presents Albert Schweitzer as an organist and discusses his aesthetic views and his theory on art.

The broadcast discusses how, in the "iron" age of the creation of nuclear weapon, the panic resulting from the humanity-threatening question "to be or not to be" also intruded into the field of arts.

The broadcast draws parallels between works written on the basis of Psalm 129 by composers of different centuries.

In this talk, composer David Halajyan and Daniel Yerazhisht discuss the role of composers and their art in the development of humans and society.

Listening to Tchaikovsky's violin concerto performed by Michael Rabin, you might find yourself in Yesenin’s Russia. Only the sensitive artist gifted with the grace of transformation could play in such a Russian manner while not living in Russia. The broadcast is dedicated to Michael Rabin who died at the age of 35.

The broadcast is dedicated to the cantata of Johannes Brahms "Song of the Fates" (Gesang der Parzen) and discusses the interrelationship between the content and musicality of the poetical text.

The broadcast presents some works based on the sequence "Dies irae" ("Day of wrath") by composers of the 15th to 17th centuries.

The broadcast is dedicated to the origin of the Catholic chant "Dies irae" ("Day of wrath"), which symbolizes the Last Judgment.

The presence of Beethoven's creation in Armenian spiritual life, contribution of Armenian musicians to the performance of this composer's music and to spreading his ideology.

The presence of Beethoven's creation in Armenian spiritual life, contribution of Armenian musicians to the performance of this composer's music and to spreading his ideology.

The broadcast draws parallels between Beethoven's Concerto for violin and the author's arrangement of this concerto for piano.

The broadcast presents the image of the famous pianist Maria Yudina in the memories of her contemporaries.

The broadcast reveals the image of the pianist Maria Yudina as an advanced and innovative musician and a citizen with noble ideals.

The broadcast presents the sources for the history of British music and acquaints the listeners with British composers and with many musical instruments common in Britain.

The broadcast draws parallels between the innovations by Henry Cowell, John Cage, and Harutiun Dellalian.

The broadcast discusses the reflection of the 20th-century historical events in culture.

He was a man with a romantic, artistic temperament. Behind the prickly, uncompromising appearance of Duryan, a warm and loving heart was beating. He didn’t spare himself, demanding the same from others. Outside Armenia he was called Eastern Toscanini. The broadcast completes the creative portrait of this famous Armenian conductor with separate contours.