The broadcast draws parallels between works written on the basis of Psalm 129 by composers of different centuries.

In this talk, composer David Halajyan and Daniel Yerazhisht discuss the role of composers and their art in the development of humans and society.

Listening to Tchaikovsky's violin concerto performed by Michael Rabin, you might find yourself in Yesenin’s Russia. Only the sensitive artist gifted with the grace of transformation could play in such a Russian manner while not living in Russia. The broadcast is dedicated to Michael Rabin who died at the age of 35.

The broadcast is dedicated to the cantata of Johannes Brahms "Song of the Fates" (Gesang der Parzen) and discusses the interrelationship between the content and musicality of the poetical text.

The broadcast presents some works based on the sequence "Dies irae" ("Day of wrath") by composers of the 15th to 17th centuries.

The broadcast is dedicated to the origin of the Catholic chant "Dies irae" ("Day of wrath"), which symbolizes the Last Judgment.

The presence of Beethoven's creation in Armenian spiritual life, contribution of Armenian musicians to the performance of this composer's music and to spreading his ideology.

The presence of Beethoven's creation in Armenian spiritual life, contribution of Armenian musicians to the performance of this composer's music and to spreading his ideology.

The broadcast draws parallels between Beethoven's Concerto for violin and the author's arrangement of this concerto for piano.

The broadcast presents the image of the famous pianist Maria Yudina in the memories of her contemporaries.

The broadcast reveals the image of the pianist Maria Yudina as an advanced and innovative musician and a citizen with noble ideals.

The broadcast presents the sources for the history of British music and acquaints the listeners with British composers and with many musical instruments common in Britain.

The broadcast draws parallels between the innovations by Henry Cowell, John Cage, and Harutiun Dellalian.

The broadcast discusses the reflection of the 20th-century historical events in culture.

He was a man with a romantic, artistic temperament. Behind the prickly, uncompromising appearance of Duryan, a warm and loving heart was beating. He didn’t spare himself, demanding the same from others. Outside Armenia he was called Eastern Toscanini. The broadcast completes the creative portrait of this famous Armenian conductor with separate contours. 
  

The broadcast presents the appraisals of the international press given to the activities of maestro Ohan Duryan. Some parallels are drawn between him and other famous conductors.

The broadcast draws parallels between this series of chants and other similar pieces of music.

The broadcast discusses the concert dedicated to the 90th anniversary of Aram Khachaturian and led by conductor Ohan Durian with Armenian Radio Symphony Orchestra.

The broadcast presents the second part of the concert dedicated to the memory of Jean Ter-Merguerian, illustrating the interpretations of the music pieces performed at that event.

The second part of the broadcast dedicated to Maestro Ohan Durian covers Daniel Yerazhisht's interview with the famous conductor on September 16, 1991, in Yerevan.

The broadcast is dedicated to the return of famous conductor Ohan Durian to his homeland, Armenia, during the period of the Artsakh Movement of the national liberation struggle. It also discusses the jubilee concert of the Maestro.

The broadcast presents the first part of the concert dedicated to the memory of Jean Ter-Merguerian.

The broadcast presents Komitas's life and works in the context of the Armenian Genocide.

Parallels are made between the monodic Gregorian choral "Ave maris stella"  ("Hail, Star of the Sea"), Guillaume Du Fay's polyphonic motet of the same name, and Jan Garbarek's improvisation of it.